To HDV or not to HDV?

It's an exciting time for filmmakers, but you have to be careful not to invest in a camera that will be obsolete in 6 months.

HDV does produce some fine quality images but doesn't approach the film-like image of the DVX100A. This could change with JVC's release of the HD100U model. It is a 3ccd, interchangeable-lens camera, that shoots in true 24P (unlike Sony's poorly simulated 24 frame mode) and is supposed to have a Gamma Switch that rivals the DVX's.

While all of this happens, Panasonic is getting ready to release their TRUE HD camera, the HVX-200 in the fall. This camera will shoot both 720P and 1080i 24P footage, storing it on Panasonic's P2 cards. It will begin with a sticker price in the $6K range, with 2 P2 cards running an additional $3600. While the P2 cards are starting off at the pricey range, Panasonic reps have been telling people to only buy 2 cards to begin with because the prices will drop 6 months later when the 16- gig cards come out.

So now, there are so many choices that filmmakers have to shoot their films with. The old battle horse DVX100 still produces a great image but with many foreign sales agents asking for HD, it might be a hard sell. After that, you have the Sony HDV or the JVC HDV cameras, adding a new twist to the mix. And finally, perhaps many will choose to wait to shoot true HD. Any way you look at it, it's damn exciting!

The LA Indie Film Group has become the largest networking group for indie filmmakers in Los Angeles. With both an online presence and monthly meetings at Raleigh Studios, the group is a great resource. Click on the image to visit their site.

The Wilshire Screening Room is LA's most indie friendly screening destination. Located in Beverly Hills, it provides a plush, yet advanced place to screen your films.

Click on the image to visit their site.